Ranking musicians in order of preference is too hard, so I’m going with alphabetical order with this. Apart from studio work by Bob Dylan, this should all be pretty easy to find on YouTube.
Lily Allen
The Animals
Fiona Apple
Syd Barrett
The Beatles (especially the late period)
Beethoven
David Bowie
Eric Burdon
Johnny Cash
Ray Charles
Leonard Cohen
Albert Collins
Creedence Clearwater Revival
Sheryl Crow
The Doors
The Dresden Dolls
Bob Dylan
The Eurythmics
The Flaming Lips
John Fogerty
The Fugs (so bad they’re good)
The Grateful Dead
George Harrison
Jimi Hendrix
John Lee Hooker
The Indigo Girls
Jefferson Airplane (but later incarnations, such as Starship, are anti-recommended)
I’ve seen this band, live, six times. Their music is amazing, and can’t recommend it highly enough. I look forward to seeing them in concert again, soon.
Music: the first two tracks from the Murder By Death album Like the Excorcist, But More Breakdancing. Please visit their website, http://www.murderbydeath.com, to buy this band’s music and merchandise. While you’re there, I recommend checking their concert calendar, to see if they may be playing near you soon. Murder By Death concerts, which I’ve seen six times now, are not to be missed!
Visuals: rotating polyhedra, all with icosidodecahedral symmetry, generated using Stella 4d: Polyhedron Navigator, which you can try for yourself at http://www.software3d.com/Stella.php. The polyhedra shown are, in order of appearance:
The icosahedron
The compound of the icosahedron and its dual, the dodecahedron
The dodecahedron, with all faces the same color
The small stellated dodecahedron, or first stellation of the dodecahedron, in a single color
The small stellated dodecahedron, with only parallel faces having the same color (six-color arrangement)
The great dodecahedron, or second stellation of the dodecahedron, six-color arrangement
The great stellated dodecahedron, or third stellation of the dodecahedron, six-color arrangement
Stellating the dodecahedron a fourth time, to return it to its original form, but in the six-color arrangement this time
The icosidodecahedron, with triangular faces invisible, and pentagonal faces shown using the six-color arrangement
The icosidodecahedron, all faces visible now, and colored by face type
The fourth stellation of the icosidodecahedron (its first stellation is the dodecahedron, the second is the icosahedron, and the third is the compound of the first two, all of which have already been seen)
The fifth stellation of the icosidodecahedron
The convex hull of the fifth stellation of the icosidodecahedron, which is a slightly-truncated icosahedron
The truncated icosahedron which is a true Archimedean Solid, since all its faces are regular
The truncated icosahedron’s second stellation (the first is the already-seen icosahedron)
Recently, someone who follows my blog asked for my permission to use one of the images here (a tessellation featuring regular heptagons, etc.) as the artwork to accompany a piece of music he created. I granted permission without hesitation, and am now posting a link to his song, Heptagon Heaven’s “Destroy the System.”
No wonder he’s smiling in this picture. Ringo Starr has reason to smile. I’ve listened to some of his solo work, and it’s terrible. (Sample lyrics: “Stop, and smell the roses — stop, and fill your noses.”) He’s a proficient drummer, true, but not in the same class as, say, Keith Moon (of the Who) or John Paul Jones (of Led Zeppelin). Unlike those two excellent drummers, though, Ringo Starr is still alive — more good luck.
His original, huge portion of good luck, of course, came when he was chosen to replace Pete Best in the early years of the Beatles, thus tying his name, in musical history, to three truly amazing musicians: John Lennon, Paul McCartney, and George Harrison. Pete Best, on the other hand, just might be history’s unluckiest person.
Murder By Death is an awesome band from Bloomington, Indiana, and these pics are from the sixth of their concerts I’ve seen. As always, they were fantastic!
At an age of four years or so, my favorite song was Simon & Garfunkel’s song “The Boxer,” which I had not listened to in a very long time, until this morning. I still remember the lyrics well, and was singing along with the song. If you’d like to hear it for yourself, here it is:
Everything was fine, until I found myself singing this part of the song: “In the clearing stands a boxer, and a fighter by his trade, and he carries the reminders of every glove that laid him down, or cut him ’till he cried out, in his anger and his shame — I am leaving, I am leaving, but the fighter still remains.”
I made it to the words “his anger and his” — before literally choking on the word “shame.” Music is a powerful tool for evoking memories, I now realize, and sometimes that can be dangerous.
I choked because some horrific, repressed memory was brought close to the surface of my consciousness by this part of the song.
Despite the picture here of “The Man Without Fear,” fear is not something I lack. However, these days, I almost never fear that which is right in front of me. I can face down bullies, and other tyrants, in my present life, especially if people I care about are threatened, and now I have a better understanding of the reasons for this: such present threats are as nothing, when compared to the horrors I now only half-remember from when I was very young. The parts I do not remember at all are blank spaces for which I am grateful, for those are memories I do not need.
What exact memory did this song dredge up, from the depths of my own unconscious? I can’t tell you that, because I simply don’t know the details. I do know that this part of that song — or, rather, my reaction to it — instantly dropped me into a nearly-comatose state for the better part of an hour, and prompted me, in that state, to do an emergency-rewrite of the software installed in my brain, re-submerging the memories that had nearly surfaced. I then wrote, and proceeded to install — yes, I view my own brain as a computer, which it is — new safety protocols to protect myself from such problems in the future. This is by no means the only time something like this has happened, and I am tired of being temporarily disabled by such events.
These new safety subroutines were written to recognize repressed memories that are in the process of surfacing, before panic sets in, but they don’t simply push them back down, as previous versions have attempted, with limited success. Instead, they break off a small, invisible piece of mind which can operate independently of, and simultaneously with, my primary consciousness. Internally, it “sits down” with the dangerous memory in question, and has a conversation with it, calming myself down without medication, until the past can be safely left in the past, where it belongs. The process leaves me tired, and the scars of memory are, of course, still there, just as Matt Murdock’s/Daredevil’s scars are visible, in the picture above. These memory-scars will exist as long as I do. However, a scar is nothing but a wound that no longer hurts, and has been healed by the passage of time, to the point where it no longer has to be dangerous. The job of my newly-installed subroutine isn’t simply to repress memories, but to actually write treaties with them, something I had never attempted before today. It was necessary. I didn’t fully leave this semi-comatose state until a treaty with this particular memory had been both written and implemented.
After emerging back into full consciousness, I tested my new software-patch — by listening to, and singing along with, “The Boxer,” more than once. I was able to do this without incident, which tells me my efforts were successful.
My new self-programming will be further analyzed, and debugged, when I next sleep. If necessary, it will be re-written altogether. I do this every time I sleep, a technique which took me decades to develop, but which has increased my ability to adapt to whatever life demands of me — in the present, in the future, and when dealing with my memories of the past, whether those memories are fully accessible, or not.
Everyone may do this sort of thing, although few are aware of it. This might be an undiscovered purpose of sleep — or it might not. Whether all people do this, or not, I am aware that I do it, and know that these metacognitive techniques are helping me get better.
Last night I had a horrible sore throat and cough, and took medicine for that, in addition to my usual nighttime meds. I then went to sleep with music playing, as I often do: Murder By Death’s entire discography, on shuffle and repeat.
This turned out to be a potent combination. Being sick, heavy sleep wasn’t possible, but REM sleep was, and I dreamed I was at a fantastic Murder By Death concert. (There is no other kind.)
This is a band I’ve seen live five times in real life; we know each other, and we’ve drank together. MBD concerts are amazing, and this “dream concert” was no exception.
There were technical difficulties in this dream concert, though. Something went wrong with Adam Turla’s guitar in mid-concert — he’s the lead singer — and he asked the audience if anyone had a nail file, which, oddly, was the tool he needed to make a quick repair and keep playing.
Nobody had one. Many, but not all, of the audience began to leave. A few fans stayed, though, and I was one of them. The rest of the band kept playing, and Adam kept singing, while he, I, and the small number of fans left searched the entire concert venue for, of all things, a nail file.
Several songs later, I found one in a small toolbox, gave it to Adam, and then had lots of fun flying around above the stage while Adam fixed his guitar, the music continuing all the while. I then briefly woke up, still heard the music playing on my computer, and thought, “This is awesome!” — and promptly went back to sleep. However, I remembered I was dreaming, so I was, by definition, lucid dreaming, from that point forward. Best of all, the band played on.
Since I could fly, I flew out briefly to find the fans who were leaving, let them know the show was back on, and we all went quickly back inside. The last song played at the concert was the one in the video posted above, “I Came Around,” and so that’s the one I can remember best, now that I’m awake.
It was one of the best dreams I’ve ever had — but real-life Murder By Death concerts are even better. I’ll next see them live on September 24, when they play my hometown of Little Rock. When do they play your city? Just check http://www.murderbydeath.com/tour-dates/ to find out. It’s updated frequently.
Also, it never hurts to buy this band a round of drinks. They like whiskey.
(Note: I usually don’t post the writing of others, but learned that incorrect lyrics for this beautiful — and horrifying — song are all over the Internet. These are corrected, and if I have erred, even slightly, please correct me with a comment. This song is from the Lips’ new CD, The Terror, highly recommended in its entirety.)
Always there, in our hearts, fear of violence and of death
Always there, in our hearts, there is love and there is pain
Always there, in our hearts, there is evil that wants out
Always there, in our hearts, there are sorrows and sadness
Always there, in our hearts, never understanding
Always there, in our hearts, something pure that we can’t control
Can’t control, can’t control, can’t control
Always there, in our hearts, destroying everything we know
Always there, in our hearts, not forgiving them, who are we?
Always there, in our hearts, shame that we are all powerless
Always there, in our hearts, joy of life and overwhelmed
Overwhelmed, overwhelmed, overwhelmed, overwhelmed, overwhelmed
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Here is a music video for the song, also. The visual part of the video was created by Ben Maddox, and my source is his YouTube channel.